EBS Pedal - Stanley Clarke Wah Wah/Volume

EBS Pedal - Stanley Clarke Wah Wah/Volume

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$379.99
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THE EBS STANLEY CLARKE SIGNATURE WAH/TONE FILTER IS MUCH MORE THAN A STANDARD WAH PEDAL. IN FACT, THE MAIN IDEA BEHIND IT WAS TO SIMPLY USE IT AS A TONE FILTER TO BE ABLE TO RE-CREATE THE SOUND OF STANLEY CLARKE WITH A STANDARD PASSIVE BASS. AND OH, DID WE MENTION IT CAN BE USED AS A VOLUME PEDAL TOO?!


Use as tone filter

Stanley Clarke's signature tone can be achieved with this signature pedal and a passive standard bass for a lot less than it would cost to purchase an active electronics high-end boutique instrument. Rise to the levels and spectrum of tone that until now was solely instilled in those high-end bass guitars. The pedal pad is a releaseably secure mechanism that can be adjusted to maintain its position once you to find a desired tone within the pedals frequency sweep. It is also utilized with upright basses not limited to electric basses!

Use as a Wah-Wah pedal

The Stanley Clarke Signature Wah is highly flexible as a wah-wah pedal. It does not affect the entire frequency range, like many other wah pedals do, which helps preserve the bottom of your sound while using the effect. The pedal feature four different preshape pass modes, Low-pass, High-pass, Band-pass and Boosted Band-pass. In addition, it offers controls to adjust the Range and Width of the effect span.

Use as a volume pedal

The pedal has a switch on the side that desides what happens when you switch off the wah effect. One setting simply bypass the effect, but the other turn theWah pedal into a Volume pedal when the wah effect is switched off. There's also an Active/Passive switch on the side, in case you use the pedal with an instrument with active electronics.

The EBS Stanley Clarke Signature Wah evolved through collaborative effort with Thomas Lieber of the Spellbinder Corp. USA and Stanley Clarke.

Clean Channel:    

  • Input Impedance  
    • Parallel mode  1.5 Mohms // 44 pF
    • Serial mode  10 Mohms // 22 pF
  • Gain:
    • Gain Range min/max -oo/ +30 dB
    • Gain Peak LED +10 dBv
    • Frequency Response  +0 / -3 dB  20 - 20.000 Hz
  • CHARACTER:
    • Filter Type Shelving High/Low Pass
    • Gain:  Lo  +6 dB @ 80 Hz
      Mid  -2 dB @ 900 Hz
      Hi  +3 dB @ 7.5 kHz
  • BRIGHT:
    • Filter Type  Shelving. Gain: +10 dB @ 10 kHz
  • FILTER SECTION:
    • Bass Filter:  Type  12 dB/oct. Shelving. Gain Range  +/- 18 dB @ 60 Hz
    • Middle Filter: Type  Bandpass Filter. Freq Range  50 - 5.000 Hz. Q - Boost  0.5 - 1.3,  Q - Cut  0.5 - >5.  Gain Range +/- 12-15 dB
  • Treble Filter: Type  Shelving. Gain Range +/- 18 dB @ 8 kHz
  • COMP/LIMIT: Comp Gain  0 dB
    • Attenuation max  24 dB
    • Compression Ratio max  3:1
    • Attack (80%) typ  <10 ms
    • Release (80%) typ  100 ms

Drive Channel:

  • INPUT: Input Impedance   1.8 Mohms // 22 pF
  • DRIVE: Gain Range  40 dB
  • ENGINES:
    • Lo: Type  2nd harmonics soft
    • Hi: Type   Symmetrical 2-stage with +18 dB gain
  • TYPE:  Thin/Normal/Deep  Pre Drive EQ
  • FILTER SECTION:
    • Tone Filter:  Type  6 dB/oct.  Low Pass. Frequency Range  700 - 20k Hz
    • Middle Filter:  Type   Bandpass Filter. Frequency Range 100 - 4.500 Hz. Q  1.2,  Gain Range  +/- 15 dB

EFFECTS LOOP:

  • Loop Signal Level nominal  -10 dBv
  • Gain  Unity (1:1)
  • Output Impedance  <100 ohms
  • Input Impedance  >200 kohms // 22 pF

PHONES OUT:  

  • Recommended Impedance  32 - 200 ohms

AUX INPUT:  

  • Input Impedance  20 kohms
  • Nominal Level  -10 dBv

OUTPUT:

  • Output Impedance  <1 kohms
  • Signal Level  nominal  0 dBv

BALANCED OUTPUTS:

  • Output Level  nominal  -20dBv
  • XLR Connections  1-GND, 2-Hot, 3-Cold
  • Options  Pre/Post EQ, L/R Ch. in stereo mode

AUXILIARY INFO:  

  • Power Requirements   Idle  450mA @9V. Max  750mA @9V (with headphones at max output level)

Dimensions (WxDxH):   max  168 x 124 x 53 mm / 6.6” x 4.9” x 2.1”

Weight:  660 g ( 1.5 lbs.)